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    <title>Music Intel - Field Notes</title>
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    <description>Forensic editorial pieces from Music Intel on royalty mechanics, streaming integrity, and catalogue economics. Three desks: Forensic, Method, Market.</description>
    <language>en-GB</language>
    <copyright>Copyright 2026 Music Intel Ltd</copyright>
    <lastBuildDate>Mon, 11 May 2026 21:40:51 GMT</lastBuildDate>
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      <title>What a catalogue due diligence audit actually finds.</title>
      <link>https://musicintel.co.uk/industry/research/catalogue-dd-audit-finds</link>
      <description>M&amp;A diligence looks at what a catalogue has earned. It almost never looks at what it should have earned. A composite case showing the gap between acquisition model and royalty reality.</description>
      <category>Forensic</category>
      <category>Black Box</category>
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      <title>Neighbouring rights are the most systematically underclaimed income stream in recorded music.</title>
      <link>https://musicintel.co.uk/industry/research/neighbouring-rights-underclaimed</link>
      <description>UK artists performing on recordings played in Germany, the Netherlands, and Scandinavia are owed money from three of the highest-paying neighbouring rights societies in the world. Most are not claiming it.</description>
      <category>Market</category>
      <category>Black Box</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/neighbouring-rights-underclaimed</guid>
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    <item>
      <title>CWR: the registration format that has been breaking royalties since 1999.</title>
      <link>https://musicintel.co.uk/industry/research/cwr-breaking-royalties-since-1999</link>
      <description>A significant percentage of CWR transactions contain errors that cause royalties to fail silently. Accepted by societies but matched to the wrong work, the wrong writer, or no work at all.</description>
      <category>Method</category>
      <category>Black Box</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/cwr-breaking-royalties-since-1999</guid>
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    <item>
      <title>$561M was one country. One rights type. One year.</title>
      <link>https://musicintel.co.uk/industry/research/561m-global-extrapolation</link>
      <description>Across mechanical, performance, and sync rights. Across 80+ collecting societies. Across four decades of catalogue. The realistic scale of the global black box.</description>
      <category>Market</category>
      <category>Black Box</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/561m-global-extrapolation</guid>
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    <item>
      <title>Touring still follows streaming geography. Labels are still ignoring it.</title>
      <link>https://musicintel.co.uk/industry/research/touring-follows-streaming-geography</link>
      <description>In a significant number of markets, streaming data signals meaningful live demand that booking agents are not acting on. The gap is measurable.</description>
      <category>Market</category>
      <category>Musicata Pro</category>
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      <title>The Eastern European streaming anomaly: a case study in geographic fraud.</title>
      <link>https://musicintel.co.uk/industry/research/eastern-european-streaming-fraud</link>
      <description>Streaming fraud is not random. It clusters geographically and operationally. A composite case showing how a coordinated playlist network generates high play counts with zero legitimate engagement.</description>
      <category>Forensic</category>
      <category>Musicata Pro</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/eastern-european-streaming-fraud</guid>
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      <title>2,562 breakouts surfaced. How many were acted on?</title>
      <link>https://musicintel.co.uk/industry/research/2562-breakouts-acted-on</link>
      <description>The window between a genuine organic breakout and a commercial response is shrinking. Most artists with momentum signatures have no infrastructure to capitalise on them.</description>
      <category>Market</category>
      <category>Musicata Pro</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/2562-breakouts-acted-on</guid>
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      <title>The anatomy of a manufactured chart week.</title>
      <link>https://musicintel.co.uk/industry/research/manufactured-chart-week</link>
      <description>A coordinated bot campaign has a fingerprint in the raw data. Streaming counts are only the first layer.</description>
      <category>Method</category>
      <category>Musicata Pro</category>
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      <title>Recovering £340,000 of uncollected royalties across a 2,100-title catalogue.</title>
      <link>https://musicintel.co.uk/industry/research/recovering-340k-2100-title-catalogue</link>
      <description>Six months inside a back-catalogue recovery: the writer, the gaps, and the claim that settled in ninety-one days.</description>
      <category>Forensic</category>
      <category>Black Box</category>
      <guid isPermaLink="true">https://musicintel.co.uk/industry/research/recovering-340k-2100-title-catalogue</guid>
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      <title>Why a streaming spike in Helsinki is a question, not an answer.</title>
      <link>https://musicintel.co.uk/industry/research/helsinki-spike-question-not-answer</link>
      <description>Anomalies are cheap. Evidence is not. A short paper on the difference between a chart movement and a verified listening event.</description>
      <category>Method</category>
      <category>Musicata Pro</category>
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      <title>An estimated $561M sits unclaimed at the MLC. That is one country, one rights type.</title>
      <link>https://musicintel.co.uk/industry/research/561m-mlc-unclaimed-one-country-one-rights-type</link>
      <description>The scale of the black box, measured in dollars rather than rhetoric. And what a single-country figure implies globally.</description>
      <category>Market</category>
      <category>Black Box</category>
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